Canyon Cinema Foundation (10)
Desaparecer
US, Mexico / 2017 / 4 minutes / NR
dir. Elena Pardo, Manuel Trujillo
In Mexico one person disappears every 1 hour and 50 minutes, that is, 13 people a day. Through the use of landscape and self portrait, we explore the ephemeral quality of image and physical presence.
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Desert Abstractions
US / 1997 / 12 minutes / NR
dir. Jon Behrens
From the landscapes series, shot in eye popping full color and there are no man made elements in this film at all.
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You and I Remain
US / 2015 / 15 minutes / NR
dir. Kate McCabe
In this portrait of a world askew, filmmaker McCabe composes an apocalyptic lullaby, a landscape film meditating on the end of the world and subtly the end of film as a medium. Incorporating timelapse cinematog...
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Revelations
US / 2018 / 24 minutes / NR
dir. Dominic Angerame
"He began to recognize that motion pix could be used as a medium to reveal the supernatural and underworld. He found the calling for which he had been born. He found that film could summon up the un-born imagin...
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The Red Thread
US / 1987 / 17 minutes / NR
dir. Larry Gottheim
Material from a time spent in California at the San Francisco Art Institute. An actual image appears as an ironic avatar of filmmaker's self.
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The Other Side
US / 2006 / 44 minutes / NR
dir. Bill Brown
A personal essay, documentary imbued with magical landscapes and searing observations softly spoken during the director's cinematic trek along the United States-Mexican border. Throughout the 2,000-mile journey...
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On The Line
US / 2010 / 4 minutes / NR
dir. Cathy Lee Crane
On the Line charts a trip around Baja California to the Tropic of Cancer. With an original score by Beth Custer and a wicked sound design that utilizes sounds from the Cassini space probe, the piece takes on si...
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Micro-celluloid Incidents in 4 Santas
US / 2012 / 10 minutes / NR
dir. Janis Crystal Lipzin
The flow of time & unseen human relationships are exposed at public amusement facilities in 4 California towns.
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Market Street
US / 2005 / 5 minutes / NR
dir. Tomonari Nishikawa
The projection apparatus and human visual perception, carefully juxtaposed images of Market Street by single-framing, in order to create certain happenings on the screen.
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